Kubatana.net ~ an online community of Zimbabwean activists

HIFA’s opening show

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Thursday, May 2nd, 2013 by Bev Clark

I’ve been wondering why there have been so few reviews of HIFA’s opening show. Even the official HIFA web site is bereft of photographs, video footage or reviews – its as if it didn’t happen. Three Men On a Boat published a short piece that described the show as a catalogue of 60 years of American pop culture and that it was “OK”. On the plus side it was visually appealing. Three Men On a Boat were pleased that the opening show had been depoliticised. Meanwhile Zimbo Jam got to grips with what seems to be a central reflection: where was the story, what was the message of the opening show? But do we have to have one? Many would say yes because its a chance to tell a story, or stories of national significance; a chance to provoke conversation and draw on the experience of Zimbabweans; what are we seeing, doing, dreaming about … It seems like the HIFA organisers don’t believe that it’s possible to do this without being POLITICAL. That awful P word that will either get you into trouble, or prompt you to create art that that doesn’t fall on the side of safety. Tafadzwa Simba, the Festival spokesman said that the “arts indaba simply tried to capture the aspirations of the people, in an apolitical way, as well as to stimulate debate and dialogue.” Usually adopting a protected stand does little to stimulate meaningful debate. Nomalanga Moyo on SW Radio Africa reflected that with Workers Day falling in the middle of the Festival, and in a country with 90% unemployment, HIFA’s theme of progress and optimism could be regarded as being a little far-fetched. And maybe the bottom line: “HIFA should be more than just about singing and dancing, we can see that anywhere else. We come to HIFA because it always has that something special and different,” says Tawanda on Zimbo Jam, otherwise you can just turn on VH1.

The Literary Figures With the Weirdest Obsessions

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Friday, April 26th, 2013 by Bev Clark

From Atlantic and Flavorpill …

Creative thinkers often have some unconventional impulses: Immanuel Kant liked being wrapped up like a mummy, and Charles Dickens lived with a bunch of animals.

D.H. Lawrence
D.H. Lawrence found it stimulating to climb mulberry trees in the nude. It is not clear why he found the mulberry more alluring than, say, the maple. Presumably during his extended stays in Mexico Lawrence climbed saguaro instead.

Anton Chekhov
Chasing butterflies like Nabokov, raising peacocks like Flannery O’Connor, keeping bees like Ted Hughes—yawn. A real Bohemian needs a mongoose. Chekhov called his Svoloch and described it in a letter as “a mixture of rat and crocodile, tiger and monkey.” He kept it for about a year and a half, but, citing a need to travel, he then donated it to the Moscow zoo, which he had fiercely criticized as an “animals’ graveyard.” The mongoose lived in captivity for two more years. The average lifespan of a captive mongoose today is about 20 years.

Friedrich von Schiller
Friedrich von Schiller kept fruit flies. Rather, he put rotten apples under his desk to inspire him with memories of the orchards of his youth. When he faltered for the right word, he took a quick sniff, and it materialized. His younger friend Goethe was amused by this practice—and later kept on his desk a skull he believed to be Schiller’s.

Marianne Moore
Marianne Moore was presumably not obsessed with automobiles, but she was asked by Ford to come up with inspirational names for new ones, on the logic that nobody knows words like a poet. Sadly the company did not take her up on “Mongoose Civique” (would it run for 20 years?), “Resilient Bullet,” “Ford Silver Sword,” “Varsity Stroke,” “Pastelogram,” “Andante con Moto,” or “Utopian Turtletop.” They went with Edsel instead.

Nikolai Gogol
Nikolai Gogol was passionate about opera, which is not an unusual obsession. However, Shostakovich made an opera out of Gogol’s story, “The Nose,” which was first performed in 1930, around 80 years after Gogol’s death. In 1931 Gogol was disinterred by Soviet authorities for removal to a different cemetery, and he was found lying face down in his coffin. Presumably he heard the music and did the conventional thing. Or else he had been buried alive.

Immanuel Kant
Immanuel Kant required an assistant to get out of bed each morning because he couldn’t sleep unless completely mummified in blankets. This operation commenced precisely at 5 a.m. every morning—though eventually, the assistant was dismissed for having acquired a habit of excessive drinking.

Charles Dickens
Charles Dickens had two ravens, two St. Bernards, two Newfoundlands, a spaniel, a mastiff, a Pomeranian, a cat, a canary, and a pony. Their names, respectively, were Grip I, Grip II, Sultan, Linda, Don, Bumble, Timber, Turk, Mrs. Bouncer, Williamina, Dick, and Newman Noggs. Dickens had Grip I mounted after it died from eating lead paint. It is now in the Philadelphia Free Library, and is thought—via Barnaby Rudge—to have inspired one of Dickens’s American contemporaries to pen a well-known poem.

Katherine Anne Porter
Katherine Anne Porter kept a brightly painted Mexican pine coffin in her apartment during her later years (she reached the age of 90). She enjoyed startling visitors by standing in it and commenting on the fit. This was part of her longstanding interest in death—she was administered last rites twice in her 20s. Interestingly, she was not ultimately buried in that coffin, which is now on display in the Katherine Anne Porter Room at the University of Maryland Library.

Jeremy Bentham
Philosopher Jeremy Bentham decreed that his remains, after meticulous dissection, should be stuffed into one of his good black suits and seated in his usual chair and displayed publicly at University College London with his old cane in hand. He’s still there, although his head has been replaced with a wax replica, because the original defied various attempts to preserve it.

Love trumps hate

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Friday, April 26th, 2013 by Bev Clark

Boston cover

Then our design director, Brian Struble, and deputy design director, Liz Noftle, came up with the concept of taking shoes worn during the marathon and arranging them so that the negative space is in the shape of a heart.

Read more about this inspiring magazine cover here

One question from a bullet

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Monday, April 22nd, 2013 by Emily Morris

One question from a bullet
John Agard

I want to give up being a bullet
I’ve been a bullet too long.

I want to be an innocent coin
In the hand of a child
And be squeezed through the slot
Of a chewing gum machine.

I want to give up being a bullet
I’ve been a bullet too long.

I want to be a good luck seed
Doing nothing in somebody’s pocket.
Or some ordinary little stone
On the way to becoming an earring.
Or just lying there unknown
Among a crowd of other ordinary stones.

I want to give up being a bullet
I’ve been a bullet too long.

The question is
Can you give up being a killer?

This is how you lose her

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Tuesday, April 16th, 2013 by Bev Clark

Sarah Norman, reader, reviewer and all round cool gal has just reviewed a book I’ve enjoyed quite a bit. This is how you lose her by Junot Diaz. Sarah quotes a line from one of Junot’s short stories that is both funny and true: “Show me a beautiful girl and I’ll show you someone who is tired of fucking her.”

Zimbabwean short film leading contender in the Africa Movie Academy Awards

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Tuesday, April 16th, 2013 by Elizabeth Nyamuda

A short film written and directed by Zimbabwean Eunice Chiweshe Goldstein – Nhamo – has been nominated for the 2013 Best Short Film at the Africa Movie Academy Awards. Nominees were announced in Malawi at an event graced by the Malawian President, Joyce Banda. The awards founded in 2005 will be held in Bayelsa State, Nigeria. Last year the award for the Best Short Film went to Braids On Bald Head from Nigeria. In 2012 a Zimbabwean, Kudzai Sevenzo was nominated for Best Actress in a Leading Role for her role as Nyarai in Playing Warriors.