From Pambazuka, an article on one of my favourite artists, Kudzanai Chiurai:

State of the nation, according to Kudzania Chiurai

Born in 1981 in Zimbabwe, Kudzanai Chiurai is an internationally acclaimed artist now living and working in Johannesburg, South Africa. He was the first black student to graduate with a BA in Fine Art from the University of Pretoria. Highly regarded as a leading voice of his generation, Kudzi has made a name for himself as a thought provoking artist who uses his art to highlight the many fallacies of our continent with specific focus on African leaders and culture. Chiurai’s early work focused on the political, economic and social strife in his homeland and has since evolved to reflect a continental dialogue that puts the state and its people at the centre of progress or the lack thereof. Seminal works like ‘Presidential Wallpaper’ depicted Zimbabwean president Robert Mugabe as a sell-out and this led to Chiurai’s exile from Zimbabwe.

Armed with a paint brush and a strong desire for change Kudzi has become somewhat of a legend in the niche world of pan-African urban culture. For someone who has achieved so much in a short space of time with bodies of artwork that speak loudly, his humility, sensitivity and introverted personality are humbling, making for an interesting harmonious contrast between the artist and his work.

His latest presentation titled ‘State of the Nation’ is intended to explore aspects of a constructed African state that bears scars of political and cultural discourses. On a continent that has experienced more violent conflicts than any other, this exhibition follows an individual’s narration of events that lead up to the inaugural speech by the first democratically elected president. The conflict that exists between cultural vistas and postmodern political narratives is evident in Chiurai’s work. Themes range from rituals, genocide memories of Rwanda and the all too familiar propaganda machine of the state to win hearts and minds of the nation. The vivid and curated portrayal of political scenes and the fear it imposes on the general populace is both profound and sad. The political truth of our continent is captured in every line and colour and together the state of all our nations is laid bare.

Melissa Mboweni curated the exhibition in partnership with the Goethe Institute and collaborations with photographer Jurie Potgieter, singers Thandiswa Mazwai and Zaki Ibrahim as well as clever use of technology brought this body of work to life. Chiurai references child and woman soldiers, African liberation movements and civil wars. He tracks the similarities between societal, political and ideological doctrines of nations in tumultuous times of transition with the often-ignored impact these cacophonous changes have on citizens. The juxtaposing of public and private were highlighted in performances that took place in the streets of Newtown and in the exhibition space that fostered private conversations about the state of our own nation as well as the artist’s work. A sound and technology installation scores the gallery experience. The influence of hip-hop in Kudzi’s own life is evident in his installations.

In a style similar to previous bodies of work such as ‘Dying to be Men’ series and ‘Black President’, Chiurai’s constructed environments are enticing, seductive and explore real casualties of African independence and critically examine the role of state public servants in advancing democracy. This ‘State of the Nation’ exhibition is a timely theme that comes at a time when the continent is grappling with its democratic identity and the role of the state in bringing real freedom and justice to its people.

As an art lover and a follower of Kudzi’s work, I’m hoping his social themes will evolve to depict some of the goodness on our continent and the power of the individual in bringing about change in their own community regardless of the state. Kudzi has the ability, passion and drive to start painting imageries of Africa that shows progress and a people with an undying spirit for survival and entrepreneurship.

- Charles Nhamo Rupare
* Charles Nhamo Rupare is of Shona origin and lives life through the creative eye and dreams of Afrika regaining her dignity and her sons and daughters developing the necessary mental freedom to love peace and communal co-existence. He is an award-winning Afrikan-centred brand specialist, percussionist, writer and a Pan-Afrikan thinker. He is chief editor of www.kush.co.za, a co-founder of Kush Kollective and a Partner of TEDx Soweto.

I remember learning about endangered animal species while I was in school. Freshest in my mind are pythons and rhinos. I always hoped to see the latter in the flesh but it seems I might be running out of time. I am sad to say that the Western Black Rhino is no more, according to the International Union for Conservation of Nature. They also say that several other sub-species of rhinos will soon be extinct too. If we are not careful, the BIG FIVE may soon be the NOT-SO-BIG FOUR. For more, here you go:

The Western black rhino of Africa has been declared officially extinct, and two other subspecies of rhinoceros are close to meeting the same fate, a leading conservation group said Thursday.

The International Union for Conservation of Nature said a recent reassessment of the Western black rhino had led it to declare the subspecies extinct, adding that the Northern white rhino of central Africa is now “possibly extinct” in the wild and the Javan rhino is “probably extinct” in Vietnam, after poachers killed the last animal there in 2010.

A small but declining population of the Javan rhino survives on the Indonesian island of Java, it added.

“A lack of political support and willpower for conservation efforts in many rhino habitats, international organized crime groups targeting rhinos and increasing illegal demand for rhino horns and commercial poaching are the main threats faced by rhinos,” the group said in a statement accompanying the latest update of its so-called Red List of endangered species.

About a quarter of all mammals are at risk of extinction, IUCN said, adding that some species have been brought back from the brink with successful conservation programs.

The southern white rhino numbered just 100 animals at the end of the 19th century, but has since flourished and now has a population of more than 20,000.

SAN FRANCISCO CHRONICLE

Youth leader found guilty of sowing divisions and bringing the party into disrepute by disciplinary committee.

So says the headlines. But, why did they do it?

He certainly was divisive, and disreputable.

But, the ANC are a political party, so there are no principles involved. Only power issues.

Are they, the party, scared? They seem to be having trouble at the polls. Toilets, and inability to deliver reform and development. Promises not fulfilled.

Are they scared of a new DA, with a black (it has had a woman before) as it’s head? It takes all the coloured vote (which is significant, as opposed to the white vote), and keeps taking the Cape Provinces.

Do they feel race (and he is a racist) is something they need to keep swept under the carpet? Is the race card something they cannot afford to play anymore? Do they feel they have to actually put together a policy that is logical, and practical, and real? Do they feel they have to keep the radicals to the fringe, as a thing of influence, a tendency, but not mainline policy? They have been a party for 99 years, so they are far more mature than most ‘revolutionary’ parties, and now they take into account the historical fact that revolutionaries do not make good administrators. Are they showing themselves to be a ‘party’ in the classical sense – the role of a political party is interest articulation and aggregation, and they acknowledge that Malema does not aggregate enough interest for the party to articulate?

And why is he, a ‘youth’ leader at the age of 30? Surely he is mature enough (even if he is still writing university exams).

According to the World Malaria Report 2010, “there were 225 million cases of malaria and an estimated 781 000 deaths in 2009, a decrease from 233 million cases and 985 000 deaths in 2000. Most deaths occur among children living in Africa where a child dies every 45 seconds of malaria and the disease accounts for approximately 20% of all childhood deaths.”  Furthermore, an alarming 90% of deaths by the disease occur in Africa. However there seems to be some light at the end of the tunnel, with scientists in Cambridge, at the Wellcome Trust Sanger Institute, having discovered the weakness in malaria parasites, with the hope of developing vaccines for the killer disease, and saving millions of lives. Read more on this very encouraging and exciting news here

The first lucky winners of our glow in the dark love dice have been contacted and are getting their prizes.

Feedback from recipients so far includes:

-    Hurray for love dice. Send them quick because I have a big night tomorrow.
-    Dice are loaded! 6 straight ears matched by 6 straight massage! Not telling you what my girlfriend got first throw.

Phone +263 774 186284-7, and listen to Big Dhara Going Down. Leave us a message to tell you what you thought, and you could win your own set of dice. Charge ‘em up. And let ‘em roll.