We just got this in from an SMS subscriber. I thought it was a very good question! Let’s see more MPs using public transport to get to rallies – as well as to other events.

I would love to see my MDC. MP coming to a rally to address us using public transport

Pamberi Trust in collaboration with the British Council and The Prince Claus Foundation re-launched their Mind Blast series last week. The aim of the Mind Blast discussions is to serve as a networking platform, and as a forum to discuss and debate the opportunities and challenges faced by the creative industry. The first of the discussions involved artists, civic society organisations and arts administrators and took place at the Mannenburg. The discussion was opened by an emotive and poignant performance of two Harare Files monologues by Tonderai Munyebvu.

A number of issues arose during the discussion, most significantly was the relationship between artists and civic organisations and the art that was created as a result. In a previous interview with Kubatana Rumbi Katedza said:

The challenge that has arisen here in Zimbabwe is that it seems to be the only direction that art has been taking over the last decade because that [civic organisations] is where much of the core funding has been coming from. Individuals and organisations will do art depending on what the key word is for that day. We’re stuck in a rut; we need to get out of that and create art for art’s sake.

During the discussion several artists echoed this sentiment and also expressed concern over the emergence of NGO agenda driven art. While it is noble to want to create art for its own sake, many artists noted that they too had to make a living and because of this, their art was subject to corruption for the purpose of delivering a message. Civics, it was noted, often demanded that art be explicit in conveying their message. Another artist expressed frustration that while local artists were forced to produce this kind of art, conversely, artists from the home countries of some donors and organisations were treated completely differently, and given the space to create and or perform their art without interference. Participants moved on to agree that art was created in response to the artist’s environment, and thus art was important in examining social issues.

There is in general a need to find alternative means for supporting art, and teaching artists and arts administrators’ sustainable business models. An oft cited example of a commercially successful Zimbabwean artist who has managed to stay true to his artistic voice is Oliver Mtukudzi, another example is Dominic Benhura. Their models for creating commercial viability vary but the outcome is the same: they are able to live on their art.

We recently published information by the Combined Harare Residents Association (CHRA) on the issue of lodger’s rights. Here is one of the responses that we got:

Thank you for your informative news. That piece with lodgers’ rights has opened old wounds for me. We were renting 2 rooms in a house in Glen View 7 at $40 dollars each. We were paying our dues on time but to our surprise the landlord came one morning and told us to look for accommodation elsewhere. We assumed that there was 3 months notice but we were proven wrong as he started calling us 2 days later demanding us out. He started terrorizing us with phone calls and sms, each and every hour telling us time was not on his side. We requested him to give us time citing our demanding work schedules, 2 days was too little for us. l vowed that l was going to make him throw us out and would sleep by his gate with our the 9 months old baby. l am an African and l would like to say strange things started happening at the house during the night. There was one particular incident that really frightened us and the next morning we found ourselves in a rat infested storeroom a sympathetic friend had offered as temporary accomodation. For me, it was fine as long as l had shelter but the poor kid got ill. The rats had the habit of playing all over and would go for the food, clothes etc in that room. She had nausea and a running tummy and also got some rash from the lice the rats normally carry around. We only managed to find some decent place four months later and l believe what the man did to us was one of the most brutal, inhuman things anybody can do, especially to a baby.

It’s very often you hear people, especially the youth in Zimbabwe, speaking in what seems to be borrowed accents. A scenario that many people might have encountered is in public transport, say in a commuter omnibus, when a girl’s phone rings and she picks up an accent and everyone turns their heads to try and match the face with the accent. Also ladies who call into radio stations tend to speak in a borrowed accent, which the DJ finds it hard to hear what is exactly being said. So they try by all means to keep the conversation short.

A food for thought session facilitated by DefZee, an online youth group, at the U.S. Embassy’s Public Affairs Auditorium discussed the topic, “Faking it- this generation’s new religion”. The panel that shared their views on the issue included local musicians Stunner, Cindy and Ten Diamond. The musicians seemed to have different views but listening closely it seemed like they thought in a similar way.

The musicians were asked to respond to this whole faking it religion and whether they were faking it. Ten Diamond said that people have been faking it for ages and it was not something only to be associated with the youth of today. He admitted that the media has a great role to play in influencing the youth. Therefore in his view Zimbabwean youth are not faking because of the environment they are living in which is dominated by the western media. In his own right as an artist, he sings hip-hop, a music genre from America. However, he contextualises his lyrics to suit the Zimbabwean environment.

Stunner admitted that people are faking it 90%. He said that youths fake for a reason and in so doing some find themselves living different lives at home, on stage, with friends or at church. Personally Stunner maintains that he is not doing any faking because he is not trying to live anyone’s lifestyle but his own. For example in his hit song ‘Team Hombe’, he sings ‘andisi mhene zvangu asi ndiri bho‘ (I am not filthy rich but am cool). He explained that he doesn’t have much money to live the flamboyant lifestyle but with what he has it’s enough for him and he is cool with it.

Cindy, the only female artist on the panel and who had the opportunity to perform at this year’s Big Brother Amplified show, is hurt by those who fake it. To her the youth living in Zimbabwe are not faking as much as those Zimbabweans living in the diaspora. She gave an account of a number of her friends who are Zimbabwean and living in the diaspora but when asked of their nationality they claim to be Malawians or South Africans. She also discussed some of the diaspora which upon returning to Zimbabwe cannot speak Shona or Ndebele. To her, these people fake it by leaving and denying their roots. In her words, ‘faking it is denouncing who you are and embracing who you are not’.  Cindy said she wrote a song, ‘Zimbo swag‘ to celebrate the style, intelligence and resources Zimbabwean youths have.

All the artists on this panel were asked why they use fake names or dress in certain ways on stage. Aren’t they faking it? They responded that they are in the music business to sell and therefore they dress to sell. They give themselves fake names for easy identification, and easy recall on the listener’s part. So the next time you see Rocqui on stage with his torn jeans and shabby hair he’s not faking, he is merely trying sell his music. You can be a salad, murasta, muninja but are you faking it?

I stumbled upon the information that Oliver Mtukudzi is the highest selling artist in Southern Africa. I knew he is well respected the world over, but the highest selling? It made sense; the man is a musical genius.

I remember when I was in South Africa a few years back I noticed that all the good music stores had a whole shelf of Oliver Mtukudzi music and his CDs were much more expensive than those of say Hugh Masekela. Oliver Mtukudzi sings entirely in Shona. That means the majority of his fans do not understand him, at least on a lyrical level. His musical arrangements are so brilliant; I would love instrumentals of his if he released an instrumental album.

But his genius is in his lyrics:

mhiripiri ine munakiro wayo/kana sugar inemanakiro ayo/munyu une manakiro awo/kuvava kuvava hayo mhiripiri, inga ndomanakiro ayo/kutapira kutapira hayo sugar inga ndomasikirwo ayo/kuvavira kuvavira hawo munyu nokuti manakiro  awo…mukurarama katifanani/kana chimiro hachifanani/kana mhuka dzesango hadzifanani/ndomasikirwo acho/saka tisashorane mukurarama/tisasekana mukurarama/tinzwisisane mukurarama/

Roughly translated the Shona lyrics are: chilies are delicious in their own way/sugar is delicious in its own way/salt is delicious in its own way/chilies are hot and they are delicious that way/sugar is sweet and it’s delicious that way/salt is delicious in its own way…in life we are not the same/we are not the same in build/even wild animals are different/ that’s the way they were created/so let’s not look down upon each other in life/let’s not laugh at each other/let’s live in harmony together…

It’s a song that speaks directly to Zimbabweans; we are highly intolerant of each other’s divergent views, opinions and differences along tribal lines, political lines and so on. We have taken on the bad habits of our leaders who go to extreme lengths to eliminate political opponents and this has led to bloody elections all the time. It’s a vicious cycle that will continue long after we have gotten rid of the current leadership.

There is another song of Mtukudzi’s that has got a message along the same lines:

Buda pachena munun’una vagoziva zvaunofunga/ asika wochinzwawo zvavanofunga/kubudirana pachena muzukuru kuteera nekuteera/ naivo vachanzwawo/torawo mukana wokuteera zvinotaurawo vamwe/ worega kuropodza/ kuropodza zvisina maturo / chinonzi hurukuro/ kutaura tichinzwana/ votaura iwe uchiteerera/wotaurawo ivo vachiteerera…

… Come out young brother so we can know what you think/but also listen to what they think/being clear with each other is listening and listening/they will hear you/take time to listen to what others say/ stop rumbling on and on/ rumbling on senselessly/conversation is understanding each other/others talk while you listen/you talk and others listen…

One of our biggest weaknesses is talking down to people and not giving a damn about what they have to say. When was the last time your local MP listened to what you had to say? When was the last the time the people of Zimbabwe openly criticised the president without everyone in the vicinity scurrying for cover and fearing for the speaker’s life?

Oliver Mtukudzi’s songs are so full of meaning and I have enjoyed them for decades; ever since I was a little boy. Songs like Nhava talk of the Diaspora in a very enlightening manner. Songs like Bindu are just brilliant! Those who did not grow up listening to Tuku, as he is affectionately known, think he got onto the music scene in 1998 with the release of the highly successful album Tuku Music, but the man has been around. Remember Mbombela? Remember the soundtrack to the Movie Neria? I was born in the Ghetto, my mum in the Ghetto, my heart in the Ghetto, so you can call me the Ghetto boy…

It is tempting to think of men as animals who cannot control their urges. This is what is implied when women are told that if they wear tight fitting clothes or miniskirts in public they put themselves in danger of being raped. It is affirmed by men themselves when they threaten those women with a public stripping and beating, or argue that the benefits of sex without a condom outweigh the risk of STIs and pregnancy.  But when men are angry that Matobo Senator Sithembile Mlotshwa from MDC-T has also affirmed this position I am surprised. It is one thing for men to control how women behave both in public and private, but it is quite another when women seek to do the same. Men themselves exploit the notion that they are unable to control their urge to procreate. Our society has made it acceptable for a man to have a wife, a small house and a girlfriend, without making that man accountable. And before anyone brings up polygamy, please understand that polygamy was practised within the framework of the family, not outside it.

I don’t agree with the senator’s sentiments. The premise upon which her argument is based, that men are exclusively to blame for the spread of HIV, is false. More than that, the idea of chemically castrating men in general is not only in-humane but also ridiculous. But in the face of countless testimonials by HIV-infected women whose single sexual partner is a philandering husband, I can understand her frustration.