After being chosen to represent Zimbabwe on Big Brother Africa Wendall Parson did not enjoy a fair share of media publicity like his fellow housemate Vimbai Mutinhiri. Barely 2 months ago The Sunday Mail published an article entitled “Who is Wendall?” Instead of supporting our Zimbabwean representative the paper went on to publish a racially charged article questioning Wendall’s citizenship.

Despite the racist reporting, the people of Zimbabwe went on to prove that our country is made up of people of different backgrounds. Since Wendall is white the Sunday Mail reporter just assumed he is foreign only to be proved wrong with positive response and support Wendall got from fellow Zimbabweans. The smear campaign and bad journalism actually propelled Wendall Parson to victory much to the surprise of the reporter. We have so many Zimbabweans who are flying our flag high representing the country in various activities regardless of race, colour or creed.

Notice the S.M.S. message in his hand—the tools of social networking, especially Facebook and Twitter, were useful for massing people and outwitting the police during the revolution.

Check out Wendell Steavenson’s New Yorker article on revolutionary graffiti in Cairo. There’s a really great slide show of the street art that has emerged all over Cairo. Here’s an excerpt from the article:

Amid the cacophony of protest and debate since the revolution—which I wrote about for the magazine this week—there has been one method of expression that has regularly stopped me in the middle of Cairo traffic so that I can get out my iPhone camera: graffiti. (See the slide show above.) It’s suddenly all over Cairo, on schools, on telephone exchange boxes, on empty walls and corrugated fencing around building sites. Daubs of slogans, finely rendered panoramas of Tahrir Square, and, increasingly, the kind of biting satire and subversion that Banksy made famous.

I recently attended Joburg Radio Days, a conference which brings together radio practitioners from across the continent to share ideas and their work with each other. One of the issues under discussion was the prospect of broadcasting reform in Zimbabwe, while another session was devoted to community radio.

The Zimbabwean speakers described the legislative framework, which based on the guarantee to freedom of expression as enunciated in clause 20 and amendment 19 of the current constitution should allow for a multiplicity of voices on the airwaves. Zenzele Ndebele from Radio Dialogue was passionate in making his case for the need for community radio. State media, he said, did not allow space for Zimbabwe’s cultural diversity; neither did it represent the interests of small communities. Rather ZBC gave a platform to political interests and because of its limited capacity to broadcast to all Zimbabweans left much of the population without any access to information.

Having attended several conferences and workshops with this theme, I am a little weary of talking about it. The inclusive government of which ZANU PF has the lion’s share of power has reneged on amendment 19 of the constitution and has failed to implement broadcasting reform. This is undeniable.  There is still much work to be done in creating an environment that is conducive to the creation of a free and independent media. I feel that we should spend more time figuring out either alternative ways to get information to those without access, or finding middle ground with ZANU PF policy makers in order to make media freedom a reality.

Not that the policymakers themselves are much help. Confronted with questions about why media freedom was so slow in coming to Zimbabwe, the Zimbabwe Media Commissions representative to the Forum, Ambassador Chris Mutsvangwa could not give a definitive answer. Instead he gave us his war credentials and insisted he was a highly educated Constitutional lawyer.

His response is typical of the party line; where supposedly educated policy makers sidestep the issue at hand and foaming at the mouth reiterate that they freed us from colonialism and we are an ungrateful lot for daring to question our elders. We as a nation are unable to move forward because they as leaders are caught in a time trap of justifying an untenable grip on power. It’s all very well to have liberated the country from Western imperialists, but that revolution, the creation of a successful and proud Zimbabwean nation, is not over yet.

Zimbabwe’s Sunday Mail, the nation’s so-called leading family newspaper, has yet again proved how insensitive and unprofessional it is. Choosing to ignore vociferous criticism for carrying a horrendous photograph of one of the victims of the recent fuel tanker accident, they went on to republish the same photograph on page 5 of their newspaper this weekend. Clearly the Sunday Mail is keen to publicise charred human remains. How do you like your corpse? Medium, well done or scorched. Just ask the Sunday Mail.

Poetry & Rock

Date & Time: Saturday, July 30 from 5:00pm – 8:00pm
Location: Mannenberg, Harare

Poetry And…Rock a continuation of the Poetry And Events. Poetry And…Rock will feature Poets and will be accompanied with live music. This is an event that wants to establish commercial poetry. We want to blast poetry into your minds with some rock and roll and the cast is the same but some surprises are in store with the presentation. A battle between POETS and some HARD ROCK MUSIC. Featuring a hot, up and coming band, THE MONKEY NUTS! The war has been waged, now let’s get ready for some rock and roll.

See you there!

Pamberi Trust in collaboration with the British Council and The Prince Claus Foundation re-launched their Mind Blast series last week. The aim of the Mind Blast discussions is to serve as a networking platform, and as a forum to discuss and debate the opportunities and challenges faced by the creative industry. The first of the discussions involved artists, civic society organisations and arts administrators and took place at the Mannenburg. The discussion was opened by an emotive and poignant performance of two Harare Files monologues by Tonderai Munyebvu.

A number of issues arose during the discussion, most significantly was the relationship between artists and civic organisations and the art that was created as a result. In a previous interview with Kubatana Rumbi Katedza said:

The challenge that has arisen here in Zimbabwe is that it seems to be the only direction that art has been taking over the last decade because that [civic organisations] is where much of the core funding has been coming from. Individuals and organisations will do art depending on what the key word is for that day. We’re stuck in a rut; we need to get out of that and create art for art’s sake.

During the discussion several artists echoed this sentiment and also expressed concern over the emergence of NGO agenda driven art. While it is noble to want to create art for its own sake, many artists noted that they too had to make a living and because of this, their art was subject to corruption for the purpose of delivering a message. Civics, it was noted, often demanded that art be explicit in conveying their message. Another artist expressed frustration that while local artists were forced to produce this kind of art, conversely, artists from the home countries of some donors and organisations were treated completely differently, and given the space to create and or perform their art without interference. Participants moved on to agree that art was created in response to the artist’s environment, and thus art was important in examining social issues.

There is in general a need to find alternative means for supporting art, and teaching artists and arts administrators’ sustainable business models. An oft cited example of a commercially successful Zimbabwean artist who has managed to stay true to his artistic voice is Oliver Mtukudzi, another example is Dominic Benhura. Their models for creating commercial viability vary but the outcome is the same: they are able to live on their art.