I was immersed
in working a poem
when an emergent business man
whom I shared a park bench with
received a call
a business call
I presumed.
He borrowed the pen
I was scribbling with
I lost a verse
he got an order.

- I Lost A Verse by Julius Chingono

Read more about the launch of Together, poetry by Julius Chingono and John Eppel. You can also watch a video of John reading Broke Buttock Blues.

Zimbabwe’s very own Rina Mushonga is trying to crowdfund her summer tour in Europe. Follow this link to find out more and to watch a very cool little video that stars Rina herself. Have to say that I’m not quite sure how we’d donate a dollar or two . . . Rina if you’re touring cyberland, tell us more.

The HIFA fever has already gripped most art lovers and for the “Rituals” team, arrested and acquitted for criminal nuisance during the 100 performances outreach tour, Zambia has provided a perfect opportunity to retreat and rejuvenate hence the HIFA performances promise fireworks.

Pictured above is Joyce Mpofu (playing the mother of a rape victim), Chipo Bizure (playing the rape victim) and Rutendo Chigudu (playing the sister of the victim) arguing about the legal route the sister is about to take in addressing the rape case of her young sister during the run-up to the 2008 election run-off.

Make a point of supporting Rooftop Promotions by going to see Rituals at HIFA. They’ve had a hard time and deserve a big round of applause for standing up to the bully boys.

26 May (3.30pm) and 27 May (9.15pm) at the Standard Theatre with tickets going for $6.00.

Here’s something from BOOK Southern Africa:

At the recent launch of Lloyd Sachikonye’s When a State Turns Against its Citizens at Lobby Books, the author spoke with passion about the changes he hopes to see in his home country, Zimbabwe.

Here is the full text of his address:

I am enormously grateful to be here today to share in the launch of this book, When a State Turns Against its Citizens. I am really happy to meet many friends, guests, compatriots who have come to grace this occasion. My profound thanks go to the organizers of this event, SALO and Lobby Books, and to the publishers who have made the publication process possible within two months from the initial submission of the manuscript…The turn-around of the process and the publicity have been superb and professional, thank you.

This is a publication about Political Violence in my country, Zimbabwe. A country of enormous contradictions: on the one hand, it has one of the highest rates of literacy on this Continent, and one of the largest proportions of educated and skilled professionals. A country that showed great promise three decades ago, that was described variously as ‘a jewel’ and ‘breadbasket’.

But as the narrative of this book chronicles, it is now a country deeply mired in political violence and moral crisis. The roots of Political Violence go back not only to 2000 as some analysts assume, but to the 1950s and 1960s, half a century ago. The roots are to be found in:

* The ruthless suppression of moderate African nationalism by the colonial state; they used beatings, dogs and guns for example.

* Violence by nationalists between their parties in the early 1960s, the original ZAPU and ZANU in 1963-64; they employed stones, sticks and petrol bombs, for instance.

* Violence against civilians by colonial regime forces but also by liberation forces during the 1970s, and Use of violence to settle differences within liberation armies themselves.

After Independence in 1980, the post-colonial state inherited the apparatus and techniques of violence against those who criticized it. As years went by, that arsenal was used against rival parties such as ZAPU till 1987, against ZUM in 1990 and the MDC since 2000.

This culture and practice of violence were celebrated by leaders of Zanu PF who openly boasted of having ‘degrees in violence’. As the country witnessed, these were not empty boasts.

The book observes that the consequences of the culture of violence reached a peak in 2008 when the citizens’ bid for political change was blocked like in Kenya, and now Cote d’Ivoire. The incumbent party and the state used their apparatuses to frustrate a free and fair run-off election.

Subsequent chapters of the book show that the consequences of Political Violence include widespread trauma, scars, fear, stress and apathy. The full magnitude of these psychological and physical conditions is not known. It is partly because Zimbabwe is a society under trauma that it has experienced an exodus of up to 3 million, or a quarter of its population.

This situation of Political Violence needs to change because the consequences are terrible. Other countries that experienced large-scale Political Violence have demonstrated great political will to stop it. Take this country, South Africa. In the 1994 election, about 1 000 people were killed in Political Violence, many were maimed. In the last several elections, like in 2009, no single person died in Political Violence.

Why should Zimbabwe be exceptional? Why should its elections be marred always be marred by Political Violence? Why should impunity be tolerated? These are some of the questions raised in this book.

The book concludes with a few recommendations. Zimbabwe has great human resources but also resilient moral resources, and potential for civic values and democratic change. Let them be harnessed against Political Violence and the authoritarianism which sponsors it. Let them be harnessed for a credible process of transitional justice, and reform of security sector institutions. Let our knowledge of the history of Political Violence and various negative effects propel us to do something about it.

Book details

* When a State Turns Against its Citizens: Institutionalized Violence and Political Culture by Lloyd Sachikonye
EAN: 9781431401116

Hats off to Zane E. Lucas for his adaptation of the musical, Rent. I went to the matinee last Saturday and have to say that I was blown away by both the talent on the stage, as well as Zane’s direction. I’ve heard rumours that audiences tended to thin out after interval but not on the afternoon I went. This surprised me because the majority of the audience were old age pensioners (OAPs) who I thought would be shocked out of their seats. Instead they held their ground and took great and particular delight in Angel’s performance, Zimbabwe’s best ever high kicking drag queen. The singing was strong all round, and I’m pleased to see that Josh has got some competition as leading male actor in the form of Zoran Zec. More please Zoran. And more please also from Erin J. Housam who wowed me with her piece, Over The Moon. She Must win an award for one of the best cameos I’ve seen on stage in Zimbabwe.

One small bug bear … some of the band looked decidedly bored by the whole affair. I saw a guitarist sucking on what looked like a bottle of Energade but it didn’t do anything to perk him Up. The band, when they’re visible and on stage, are a part of the performance, so best keep them in the dark if they can’t match the energy of the actors.